A collection of stories and songs by Nishnaabeg storyteller and writer Leanne Betasamosake Simpson. Blending elements of Nishnaabeg storytelling, science fiction, contemporary realism, and lyric voice, this collection encompasses broad and imaginative themes.
Emphasizes the differences among the four billion people on earth.
Text and black-and-white illustrations follow the intricate step-by-step process of the building of an ancient Egyptian pyramid.
A young Aboriginal girl is taken from the north of Australia and sent to an institution in the distant south. There, she slowly makes a new life for herself and, in the face of tragedy, finds strength in new friendships. Poignantly told from the child’s perspective, Sister Heart affirms the power of family and kinship.
In this introduction to the Anishinaabe tradition of totem animals, young children explain why they identify with different creatures such as a deer, beaver, or moose.
A compelling collection of interviews with children aged nine to eighteen. They come from all over the continent, from Iqaluit to Texas, Haida Gwaai to North Carolina, and their stories run the gamut — some heartbreaking; many others full of pride and hope.
A young mother, one of the many missing indigenous women, watches over her small daughter as she grows up without her nimama, experiencing important milestones – her first day of school, first dance, first date, wedding, first child – from afar.
“Stories are wondrous things,” award-winning Canadian author and scholar Thomas King declares in his 2003 CBC Massey Lectures. “And they are dangerous.” Stories assert tremendous control over our lives, informing who we are and how we treat one another as friends, family and citizens. With keen perception and wit, king illustrates that stories are the key to, and the only hope for, human understanding, He compels us to listen well.
This story centers on a young Metis (mixed blood) boy growing up outside Fort Williams, a major Canadian fur trading post linking northern and central Canada to the North West Trading Company in Montreal. The boy longs to become one of the voyagers, or fur traders, who wear red sashes as they travel the rivers of northern and central Canada. The Red Sash provides readers an authentic picture of life at a fur trading post in the early 1800s.
A drop of fresh water must be retrieved in order for First Man to create a stream or lake in his parched homeland, and the members of his village are unable to do so, but, through an unexpected twist of fate, their doomed destiny may be saved.