People of the Noatak

During five long visits to Alaska’s remote northwest coast to sketch and paint, the late Claire Fejes became guest and friend to the Native inhabitants there, learning their ways and customs. A personal narrative in text, drawings, and paintings, People of the Notatak concerns the people of two villages–Noatak, the summer settlement of a nomadic tribe that lives mainly in the wilderness interior, and Point Hope, whose economy centers around the hunting of the great bowhead whale.

Claire captures the life of the Native Inupiat in Northwest Alaska, before outside influences changed their lives. In a few simple strokes, her drawings evoke the heart and life of the Inupiat. Thanks in part to her habit of journal-keeping, Claire was able to record what she had witnessed in her years of travel and painting up the Yukon River into the Arctic Refuge.

A native New Yorker, Claire received her art training at the Newark Art Museum and taught art until moving to Alaska. She wrote with rare insight and understanding about the intimate daily lives of mothers and fathers and their children, of husbands and wives and in-laws in the villages in which she lived, an aspect of Eskimo life rarely treated in books.

Originally published in 1966, People of the Noatak is an excellent portrayal of the Inupiat people before modern changes, a glimpse into the Inupiat world when traditional values and roots were strong.

Spirit of the White Bison

A young bison growing up on the plains in the late 1800s faces peril at the hands of soldiers, who are destroying the great buffalo herds as a way to control native tribes. He is befriended by a native warrior and a white hunter who try to save him and his herd from annihilation.

Welcome The Caribou Man

Abenaki artists Gerard Tsonakwa and his wife Yolaikia Wapitaska, working in stone, bone and wood, bring the ancient legends of the Abenaki people into the industrial age through juxtaposition of the stories with their masks and sculptures. This volume, illustrated with many of the works that have toured more than thirty museums since 1992, evokes ancient connections embodied in the legends and lore of traditional peoples.

The Light On The Tent Wall: A Bridging (Native American Ser)

Mary TallMountain is a Native writer whose “lantern voices seek to lead us out of the given darkness,” and “her work, like seasoned oak, is full of heat and fire, simplicity and compassion,” writes poet and scholar Alfred Robinson. The poems in this collection confront death and engage the sacred. Joy Harjo calls each poem “a track, and the series of tracks makes a bridge back to the ‘light on the tent wall,’ which is the sacred place of the songs, the stories that created us.”

Just Talking About Ourselves: Voices of Our Youth

just talkCollection of stories depicting Native life in urban and reservation settings.

Ojibwas (Native Americans)

Presents the history, culture, and contemporary life of the northeastern Native American people who, in the 1400s, migrated from the North Atlantic coast and settled around the Great Lakes.

Diamond Willow

There’s
more to me than
most people
see.

Twelve-year-old Willow would rather blend in than stick out. But she still wants to be seen for who she is. She wants her parents to notice that she is growing up. She wants her best friend to like her better than she likes a certain boy. She wants, more than anything, to mush the dogs out to her grandparents’ house, by herself, with Roxy in the lead. But sometimes when it’s just you, one mistake can have frightening consequences . . . And when Willow stumbles, it takes a surprising group of friends to help her make things right again.

Using diamond-shaped poems inspired by forms found in polished diamond willow sticks, Helen Frost tells the moving story of Willow and her family. Hidden messages within each diamond carry the reader further, into feelings Willow doesn’t reveal even to herself.