Material appropriate for young adults
When 16-year-old Helmuth Hubner listens to the BBC news on an illegal short-wave radio, he quickly discovers Germany is lying to the people. But when he tries to expose the truth with leaflets, he’s tried for treason. Sentenced to death and waiting in a jail cell, Helmuth’s story emerges in a series of flashbacks that show his growth from a naive child caught up in the patriotism of the times, to a sensitive and mature young man who thinks for himself.
Sixteen-year-old Dylan Wallace is living on the streets not through any choice of his own, unlike some of the teenagers he meets in the same situation. He’s been cut loose by his unstable mother, and lost most contact with his two younger brothers. He has nothing but his backpack stuffed with a few precious belongings and the homeless kids he meets. At least he has his theories. No one can take those away from him. Like how every fourth person throws him spare change; how no one does anything for anyone without a price; and how he just might be able to find a place in this complicated world.
Stopmouth and his family know of no other life than the daily battle to survive. To live, they must hunt rival species, or negotiate flesh-trade with those who crave meat of the freshest human kind. It is a savage, desperate existence. And for Stopmouth, considered slow-witted hunt-fodder by his tribe due in part to his stutter, the future looks especially bleak. But then, on the day he is callously betrayed by his brother, a strange and beautiful woman falls from the sky. It is a moment that will change his destiny, and that of all humanity, forever.
This is how wars are fought now: by children, hopped-up on drugs and wielding AK-47s. Children have become soldiers of choice. In the more than fifty conflicts going on worldwide, it is estimated that there are some 300,000 child soldiers. Ishmael Beah used to be one of them.What is war like through the eyes of a child soldier? How does one become a killer? How does one stop? Child soldiers have been profiled by journalists, and novelists have struggled to imagine their lives. But until now, there has not been a first-person account from someone who came through this hell and survived.In A Long Way Gone, Beah, now twenty-five years old, tells a riveting story: how at the age of twelve, he fled attacking rebels and wandered a land rendered unrecognizable by violence. By thirteen, he’d been picked up by the government army, and Beah, at heart a gentle boy, found that he was capable of truly terrible acts.
Richard Hughes’s celebrated short novel is a masterpiece of concentrated narrative. Its dreamlike action begins among the decayed plantation houses and overwhelming natural abundance of late nineteenth-century Jamaica, before moving out onto the high seas, as Hughes tells the story of a group of children thrown upon the mercy of a crew of down-at-the-heel pirates. A tale of seduction and betrayal, of accommodation and manipulation, of weird humor and unforeseen violence, this classic of twentieth-century literature is above all an extraordinary reckoning with the secret reasons and otherworldly realities of childhood.
Generations ago, violence was banned on New Earth. Society is governed and conflicts are resolved in the arena of a fantasy computer game, Epic. Everyone plays. If you win, you have the chance to go to university, get more supplies for your community, and fulfill your dreams; if you lose, your life both in and out of the game is worth nothing. When Erik, seeking revenge for the unjust treatment of his parents, dares to subvert the rules of Epic, he and his friends find themselves up against with the ultimate masters of the game: the Committee. If Erik and his friends win, they may have the key to destroying Epic’s tyranny over New Earth. But if they lose . . .
The Countess and Lord Keril send Mitt to kill a young woman, Noreth Onesdaughter, who claims to know where the lost crown is hidden.
CONRAD THE GOOD serves as court jester to a most unworthy master: Lord Otto “the Witless,” who rarely appreciates jesting and acrobatics and more often rewards his good fool with a good whipping. So one night, Conrad flees, leaving Otto’s realm in search of a more enlightened master—taking with him only his noble horse, Blackspur, and his beloved, the servant girl Christa the Fair. As they take to the road, they soon learn that along with their quest comes hardship. But for all the hardships they encounter, there are as many unexpected joys and friends in unexpected places, and there is always their love for one another. And always, their destination lies before them: somewhere, a sanctuary where they’ll have the freedom to be together and be themselves.
When an attempt to bring Peter and Kate back to their own time is bungled, Peter finds himself stranded in 1763 while The Tar Man, a villainous eighteenth-century criminal, returns with Kate to twenty-first-century London.
Yulek, a seventeen-year-old Holocaust survivor, finds himself tragically alone at war’s end. Hoping to begin again, he makes his way to Palestine, where he meets a sad and beautiful Jewish girl named Theresa. Saved from the Nazis by Catholic nuns, Theresa, like Yulek, is uncertain about her place in the postwar world. Together they struggle to rediscover the joy of living. Meanwhile, a mysterious English woman sets out on her own search for the long-lost nephew that she has spotted in a newspaper photo of Jewish refugees. Perhaps by finding him, she will also find some long-hidden part of herself.