After the flood, Raven falls from the sky far out the sea. How will he get back to the mainland? with the help of a friendly sea otter, Raven comes up with a plan.
For thousands of years, Inuit women practised the traditional art of tattooing. Created with bone needles and caribou sinew soaked in seal oil or soot, these tattoos were an important tradition for many women, symbols stitched in their skin that connected them to their families and communities. But with the rise of missionaries and residential schools in the North, the tradition of tattooing was almost lost. In 2005, when Angela Hovak Johnston heard that the last Inuk woman tattooed in the traditional way had died, she set out to tattoo herself and learn how to tattoo others. What was at first a personal quest became a project to bring the art of traditional tattooing back to Inuit women across Nunavut, starting in the community of Kugluktuk. Collected in this beautiful book are moving photos and stories from more than two dozen women who participated in Johnston’s project. Together, these women are reawakening their ancestors’ lines and sharing this knowledge with future generations.
When Uncle and Windy Girl attend a powwow, Windy watches the dancers and listens to the singers. She eats tasty food and joins family and friends around the campfire. Later, Windy falls asleep under the stars. Uncle’s stories inspire visions in her head: a bowwow powwow, where all the dancers are dogs. In these magical scenes, Windy sees veterans in a Grand Entry, and a visiting drum group, and traditional dancers, grass dancers, and jingle-dress dancers–all with telltale ears and paws and tails. All celebrating in song and dance. All attesting to the wonder of the powwow.
Sam, Otter, Atim and Chickadee are four cousins growing up on the Windy Lake First Nation. They are inseparable. Nicknamed the Mighty Muskrats for their habit of laughing, fighting and adventuring together, the cousins find that each new exploit adds to their reputation. When a visiting archeologist goes missing, the cousins decide to solve the mystery of his disappearance. In the midst of community conflict, family concerns and environmental protests, the four get busy following every lead. From their base of operations in a fort made out of an old school bus, the Mighty Muskrats won’t let anything stop them from solving their case!
When a young girl moves from the country to a small town, she feels lonely and out of place. But soon she meets an elderly woman next door, who shares her love of arts and crafts. Can the girl navigate the changing seasons and failing health of her new friend? Acclaimed author and artist Julie Flett’s textured images of birds, flowers, art, and landscapes bring vibrancy and warmth to this powerful story, which highlights the fulfillment of intergenerational relationships and shared passions.
Explore the past 150 years in what is now Canada through the eyes of Indigenous creators in this groundbreaking graphic novel anthology. Beautifully illustrated, these stories are an emotional and enlightening journey through indigenous wonderworks, psychic battles, and time travel. See how Indigenous peoples have survived a post-apocalyptic world since Contact.
A moving and timely story of a young boy separated from his beloved brother and father by a border Arturo loves to look at maps and the lines where different countries meet––as if greeting each other with a big hug. But his mother tells him these lines have a different purpose––to keep people from moving freely across the land. Arturo and his mother are separated from his father and his brother Antonio by one of these lines. Will he ever see his brother again? But the sky has no lines, so Arturo dreams of flying with Antonio through the open sky to the moon, free of barriers. Artful, moving watercolor illustrations express a young boy’s sorrow at separation and his joyful dreams of a world without lines.
On a school field trip to the river, Sandy wanders away from her classmates and discovers an empty turtle shell. Peeking through the dark hole, she suddenly finds herself within a magical realm. Filled with sculptures, paintings and books, the turtle’s shell is a museum of the natural world. But one painting is incomplete, and the turtle needs Sandy’s help to finish it.
This novel in verse is a powerful first-person account of Misael Martinez, a Salvadoran boy whose family joins the caravan heading north to the United States. We learn all the different reasons why people feel the need to leave the hope that lies behind their decision, but also the terrible sadness of leaving home. We learn about how far and hard the trip is, but also about the kindness of those along the way. Finally, once the caravan arrives in Tijuana, Misael and those around him are relieved. They think they have arrived at the goal of the trip — to enter the United States. But then tear gas, hateful demonstrations, force and fear descend on these vulnerable people. The border is closed. The book ends with Misael dreaming of El Salvador. This beautiful and timely story is written in simple but poetic verse by Jorge Argueta, the award-winning author of Somos como las nubes / We Are Like the Clouds. Award-winning Mexican illustrator Manuel Monroy illuminates Misael’s journey. An author’s note is included, along with a map showing the caravan’s route.
This picture book, first published in Brazil, offers kids a unique look into the lives of children who live along Brazil’s beautiful Tapajós River.