Materials from South America
As two Takunami youths approach their thirteenth birthdays, Luka reaches the culmination of his mother’s training for the tribe’s manhood test while Tirio, raised in Miami, Florida, by his adoptive mother, feels called to begin preparations to prove himself during his upcoming visit to the Amazon rain forest where he was born.
When Ambrosia gives her Uncle Nacho a new hat, he tries to get rid of his old one, but to no avail. No matter what he does, the pesky hat keeps coming back to him. This classic folktale from the Puppet Workshop of Nicaraguan National Television, vividly illustrated by Mira Reisberg and presented in a bilingual edition, is a parable about the difficulties of making changes and shaking off old habits. The book includes an account of the origins of the story.
Salsa music blares from the stereo. One by one, friends and family, who come from all around Latin America, arrive at Carmen Teresa’s house to cook, dance, gossip, and play dominoes. And the New Year’s Day celebration begins… When a neighbor gives Carmen Teresa a blank notebook as a holiday present, she doesn’t know how she will fill it. The guests all have ideas of what she should do with her book. They decide she should fill it with stories about their childhoods. And everyone has a story to tell. But Carmen Teresa, who loves to cook, surprises everyone with how she will use her beautiful new present. With energy, sensitivity, and warmth, Lulu Delacre introduces readers to a symphony of colorful characters whose stories dance through a year of Latin American holidays and customs. And readers will also be treated to recipes for the irresistible foods that appear in each story. When Lulu Delacre set out to collect family recipes for a cookbook of traditional Latin American foods, she discovered something amazing. “How often the flavors of our childhood,” says Ms. Delacre, “unlock memories from our past.” It was this discovery that inspired her also to collect those memories that her friends and family recalled. And she based Salsa Stories on those recollections.
The House of the Scorpion By Nancy Farmer is about Matthew who is a clone of El Patrón, a powerful drug lord of the land of Opium, which is located between the United States and Mexico. For six years, he has lived in a tiny cottage in the poppy fields with Celia, a kind and deeply religious servant woman who is charged with his care and safety. He knows little about his existence until he is discovered by a group of children playing in the fields and wonders why he isn’t like them. Though Matt has been spared the fate of most clones, who have their intelligence destroyed at birth, the evil inhabitants of El Patrón’s empire consider him a “beast” and an “eejit.” When El Patrón dies at the age of 146, fourteen-year-old Matt escapes Opium with the help of Celia and Tam Lin, his devoted bodyguard who wants to right his own wrongs. After a near misadventure in his escape, Matt makes his way back home and begins to rid the country of its evils.
Dorothy Patent explores the many facets of this shimmering bird, from its illustrious past to its life cycle and daily existence in the wild. Accompanied by Neil Waldman’s luminous illustrations, this unique survey book examines an endangered animal that has a powerful symbolic meaning to a culture.
Two separate chains of the Andes Mountains stretch through Ecuador, and almost half of Ecuador’s people live in the highlands of these mountains. The author/photographer of Riders Up! ( C. 1992) takes readers on a journey through the beautiful Ecuadorean highlands, as seen through the eyes of its children.
This lovely compendium includes lullabies, finger games, lap games, sayings, nursery rhymes, jump-rope songs, proverbs, riddles, tall tales, a ballad, birthday songs, and Christmas carols. The format is spacious, with lots of room for both the Spanish and English text and clear, charming watercolor cartoon illustrations that vary from spreads to small insets.