Materials from the Americas
On a school field trip to the river, Sandy wanders away from her classmates and discovers an empty turtle shell. Peeking through the dark hole, she suddenly finds herself within a magical realm. Filled with sculptures, paintings and books, the turtle’s shell is a museum of the natural world. But one painting is incomplete, and the turtle needs Sandy’s help to finish it.
When a young girl moves from the country to a small town, she feels lonely and out of place. But soon she meets an elderly woman next door, who shares her love of arts and crafts. Can the girl navigate the changing seasons and failing health of her new friend? Acclaimed author and artist Julie Flett’s textured images of birds, flowers, art, and landscapes bring vibrancy and warmth to this powerful story, which highlights the fulfillment of intergenerational relationships and shared passions.
This novel in verse is a powerful first-person account of Misael Martinez, a Salvadoran boy whose family joins the caravan heading north to the United States. We learn all the different reasons why people feel the need to leave the hope that lies behind their decision, but also the terrible sadness of leaving home. We learn about how far and hard the trip is, but also about the kindness of those along the way. Finally, once the caravan arrives in Tijuana, Misael and those around him are relieved. They think they have arrived at the goal of the trip — to enter the United States. But then tear gas, hateful demonstrations, force and fear descend on these vulnerable people. The border is closed. The book ends with Misael dreaming of El Salvador. This beautiful and timely story is written in simple but poetic verse by Jorge Argueta, the award-winning author of Somos como las nubes / We Are Like the Clouds. Award-winning Mexican illustrator Manuel Monroy illuminates Misael’s journey. An author’s note is included, along with a map showing the caravan’s route.
This picturebook, first published in Brazil, offers kids a unique look into the lives of children who live along Brazil’s beautiful Tapajós River. Two siblings follow their family to higher ground to avoid yearly floods, only to realize they’ve left their pet turtle behind.
Featured in WOW Review Volume XVII, Issue 2.
A moving and timely story of a young boy separated from his beloved brother and father by a border Arturo loves to look at maps and the lines where different countries meet––as if greeting each other with a big hug. But his mother tells him these lines have a different purpose––to keep people from moving freely across the land. Arturo and his mother are separated from his father and his brother Antonio by one of these lines. Will he ever see his brother again? But the sky has no lines, so Arturo dreams of flying with Antonio through the open sky to the moon, free of barriers. Artful, moving watercolor illustrations express a young boy’s sorrow at separation and his joyful dreams of a world without lines.
Every year, thousands of migrant children and teens cross the U.S.-Mexico border. The journey is treacherous and sometimes deadly, but worth the risk for migrants who are escaping gang violence and poverty in their home countries. And for those refugees who do succeed? They face an immigration process that is as winding and multi-tiered as the journey that brought them here. In this book, award-winning Mexican author Juan Pablo Villalobos strings together the diverse experiences of eleven real migrant teenagers, offering readers a beginning road map to issues facing the region. These timely accounts of courage, sacrifice, and survival―including two fourteen-year-old girls forming a tenuous friendship as they wait in a frigid holding cell, a boy in Chicago beginning to craft his future while piecing together his past in El Salvador, and cousins learning to lift each other up through angry waters―offer a rare and invaluable window into the U.S.–Central American refugee crisis. In turns optimistic and heartbreaking, The Other Side balances the boundless hope at the center of immigration with the weight of its risks and repercussions. Here is a necessary read for young people on both sides of the issue.
Imprisonment, hunger strikes, suffrajitsu — the decades-long fight for women’s right to vote was at times a ferocious one. Acclaimed artist David Roberts gives these important, socially transformative times their due in a colorfully illustrated history that includes many of the important faces of the movement in portraiture and scenes that both dignify and enliven. He has created a timely and thoroughly engaging resource in his first turn as nonfiction author-illustrator. Suffragette: The Battle for Equality follows the trajectory of the movement in the U.K. and visits some key figures and moments in the United States as it presents the stories of Millicent Garrett Fawcett, Emmeline Pankhurst, Ida B. Wells, Susan B. Anthony, and many more heroic women and men — making it a perfect gift for young readers of today. Dr. Crystal Feimster of Yale’s Department of African American Studies contributes a foreword that speaks to the relationship and differences between the British and American suffrage efforts.
Describes–in Spanish, English, and Nahuat–the characteristics of fire from the perspective of one little spark.
Cynthia Weill scores again with an early concept book that bring every kind of job to life, including the work of the dedicated palm weavers of Flavio Gallardo’s workshop, whose miniature palm weavings illustrate this playful book, teaching children words for work in two languages. The weavers live in the village of Chigmecatitlán in the Mixteca part of the Mexican state of Puebla. With tremendous skill and patience, the artisans of this region practice palm weaving, a craft which came to Mexico even before the arrival of the Spanish in the early 15th century. Imagine being able to hold all of the illustrations in one book in the palms of your hands. You can do that with the tiny weavings in Let’s Work. Most pieces are no larger than a dime!
Every year, Haitians all over the world ring in the new year by eating a special soup, a tradition dating back to the Haitian Revolution. This year, Ti Gran is teaching Belle how to make the soup — Freedom Soup — just like she was taught when she was a little girl. Together, they dance and clap as they prepare the holiday feast, and Ti Gran tells Belle about the history of the soup, the history of Belle’s family, and the history of Haiti, where Belle’s family is from. In this celebration of cultural traditions passed from one generation to the next, Jacqueline Alcántara’s lush illustrations bring to life both Belle’s story and the story of the Haitian Revolution. Tami Charles’s lyrical text, as accessible as it is sensory, makes for a tale that readers will enjoy to the last drop.