
A study of the contemporary Yupik culture in an Alaskan village as seen through the eyes of a typical family.
Materials from United States of America
A study of the contemporary Yupik culture in an Alaskan village as seen through the eyes of a typical family.
Nutaaq and her older sister, Aaluk, are on a great journey, sailing from a small island off the coast of Alaska to the annual trade fair. There, a handsome young Siberian wearing a string of cobalt blue beads watches Aaluk “the way a wolf watches a caribou, never resting.” Soon his actions—and other events more horrible than Nutaaq could ever imagine—threaten to shatter her I~nupiaq world. Seventy years later, Nutaaq’s greatgranddaughter, Blessing, is on her own journey, running from the wreckage of her life in Anchorage to live in a remote Arctic village with a grandmother she barely remembers. In her new home, unfriendly girls whisper in a language she can’t understand, and Blessing feels like an outsider among her own people. Until she finds a cobalt blue bead—Nutaaq’s bead—in her grandmother’s sewing tin. The events this discovery triggers reveal the power of family and heritage to heal, despite seemingly insurmountable odds. Two distinct teenage voices pull readers into the native world of northern Alaska in this beautifully crafted and compelling debut novel.
A fisherman accidentally hooks the skeleton of Annuk, a young Aleutian girl who had drowned, on his line, and the fisherman’s compassion for the girl brings her magically back to life, in an Aleutian folktale about the power of love and compassion.
Weaving history, art and literature, these stories follow a young Inupiat Eskimo boy through a year of his life at the turn of the last century.
For Native children, growing up in Alaska today means dwelling in a place where traditional practices sometimes mix oddly with modern conveniences. “Children of the Midnight Sun” explores the lives of eight Alaskan Native children, each representing a unique and ancient culture. This extraordinary book also looks at the critical role elders play in teaching the young Native traditions. 40 color photos.
After eleven-year-old Zitlally’s father is deported to Mexico, she takes refuge in her trailer park’s forest of rusted car parts, where she befriends a spunky neighbor and finds a stray dog that she nurses back to health and believes she must keep safe so.
Who was César Chávez? Here, an essay and photographs restore this man to his place in American history.The real César Chávez got lost in the hoopla. Many think he was a Mexican boxer. Young people think he’s that guy on the stamp or that statue in the park. No wonder it’s difficult, especially for our young people, to understand his human complexities and the struggles to which he gave his life.Esteemed Latin American scholar and writer Ilan Stavans, supported by more than forty photographs from archival collections at the Cesar E. Chavez Foundation, restores this man’s humanity so that readers can understand his struggles as a labor organizer and civil rights activist for farm workers. The book discusses his growing up and his family; his comadre Dolores Huerta, who stood with him from the beginning; his relationship with Dr. King and other activists in the broader struggles for civil rights for all people of color; and his insistence on being an activist for the rights of farm workers when so much media attention was given to the civil rights activists in the cities.Ilan Stavans is a nationally respected Jewish Latino writer and scholar. His story “Morirse está en hebreo” was made into the award-winning movie My Mexican Shivah, produced by John Sayles. His books include An Organizer’s Tale (Penguin Classics, 2008), Dictionary Days (Graywolf Press), The Disappearance (TriQuarterly), and Resurrecting Hebrew (Random House). Stavans has received numerous awards, among them a Guggenheim Fellowship, the National Jewish Book Award, the Latino Book Award, and Chile’s Presidential Medal. He is a professor in Latin American culture at Amherst College.