Materials from United States of America
What is time? Is it the tick tick tock of a clock, numbers and words on a calendar? It’s that, but so much more. Time is a seed waiting to grow, a flower blooming, a sunbeam moving across a room. Time is slow like a spider spinning her web or fast like a wave at the beach. Time is a wiggly tooth, or waiting for the school bell to ring, or reading a story . . . or three! But time is also morning for some and night for others, a fading sunset and a memory captured in a photo taken long ago.
Bugz is caught between two worlds. In the real world, she’s a shy and self-conscious Indigenous teen who faces the stresses of teenage angst and life on the Rez. But in the virtual world, her alter ego is not just confident but dominant in a massively multiplayer video game universe.
Feng is a teen boy who has been sent from China to live with his aunt, a doctor on the Rez, after his online activity suggests he may be developing extremist sympathies. Meeting each other in real life, as well as in the virtual world, Bugz and Feng immediately relate to each other as outsiders and as avid gamers. And as their connection is strengthened through their virtual adventures, they find that they have much in common in the real world, too: both must decide what to do in the face of temptations and pitfalls, and both must grapple with the impacts of family challenges and community trauma.
But betrayal threatens everything Bugz has built in the virtual world, as well as her relationships in the real world, and it will take all her newfound strength to restore her friendship with Feng and reconcile the parallel aspects of her life: the traditional and the mainstream, the east and the west, the real and the virtual.
Pedro, Luna, and Rafa may attend Fairfax High School together in Los Angeles, but they run in separate spheres. Pedro is often told that he’s “too much” and seeks refuge from his home life in a local drag bar. Luna is pretending to go along with the popular crowd but is still grieving the unexpected passing of her beloved cousin Tasha. Then there’s Rafa, the quiet new kid who is hiding the fact that his family is homeless.
But Pedro, Luna, and Rafa find themselves thrown together when an extraterrestrial visitor lands in their city and takes the form of Luna’s cousin Tasha. As the Visitor causes destruction wherever it goes, the three teens struggle to survive and warn others of what’s coming–because this Visitor is only the first of many. But who is their true enemy–this alien, or their fellow humans?
After Ciela and Lock are sexually assaulted at the same party, they develop a cautious friendship through her family’s possibly-magical pasteleria and his secret forest of otherworldly trees.
Twelve Native American kids present historical and contemporary laws, policies, struggles, and victories in Native life, each with a powerful refrain: We are still here!
When new friends Lupe, Flapjack, and Elirio are each bullied by Las Matamoscas, they know they’re going to like one another. When they find out they all love lowrider cars, they know they’ll be friends for life. But the bullies won’t leave the Lowriders alone and they don’t let any girls or babies into car clubs.
Discover a graphic novel unlike any other–a brilliant steampunk reimagining of Frankenstein set in colonial Mexico.
In the Republic of Santander, non-Christian magic is frowned upon, if not outright prohibited. But when Cristina Franco, an apprentice shaman, is killed by witch owls, her brother Enrique cannot let her go. With forbidden alchemy and engineering, Enrique brings her back to life: part human, part machine. Though her very existence is an abomination to Santander’s citizens, Cristina vows to use her new abilities to protect her country from attack.
With help from a handsome skinwalker named Mateo, Cristina and Enrique track down the witch owl coven and uncover a sinister plot to bring Santander under the rule of the Witch Owl Parliament, whose legendary cruelty would dismantle the country’s hard-won freedoms. At the same time, Indigenous folks and immigrants are disappearing from Santander–including Enrique’s beloved, Gaspar. Could the attacks and the disappearances be related? As the witch ow
Some of the creatures in these pages might only have a message for you, but some are the stuff of nightmares. These thirty-two short stories — from tales passed down for generations to accounts that could have happened yesterday — are collected from the thriving tradition of ghost stories from American Indian cultures across North America. Prepare for stories of witches and walking dolls, hungry skeletons, La Llorona and Deer Woman, and other supernatural beings ready to chill you to the bone.
A Man Called Horse focuses on the little-known life of Horse while also putting into historical perspective the larger story of Native Americans and especially Black Seminoles, helping to connect the missing “dots” in this period. After fighting during the Second Seminole War (1835–1842), one of the longest and most costly Native American conflicts in US history, Horse negotiated terms with the federal government and later became a guide and interpreter. Forced to relocate, he led a group of Black Seminoles to find a new home, first heading westward to Texas and later to Mexico.
Miosotis Flores is excited about three things;fostering rescue dogs, goofy horror movies, and her sister Amarilis’ upcoming wedding. But her papi wants her to care about school more than anything else, so they strike a deal — if Miosotis improves her grades in two classes, she can adopt a dog of her own in the summer.
Miosotis dives into her schoolwork, and into nurturing a fearful little pup called Freckles. Could he become her forever dog? At the same time, she notices Amarilis behaving strangely–wearing thick clothes in springtime, dropping her friends in favor of her fiancé, even avoiding Miosotis and the rest of their family.
When Miosotis finally discovers her sister’s secret, she faces some difficult choices. What do you do if someone is in danger, but doesn’t want your help? When should you ask for support, and when should you try to handle things on your own?
What ultimately matters most–what Miosotis wants, or what’s right for the ones she loves?