”My cousin Pepe combs my hair back just like his, and Aunt Pilar laughs. Then she slides her red lipstick across my lips, but Mama wipes it off because I’m too young. Mama puts on her new jeans, and Aunt Pilar polishes her high heels. Uncle Armando finishes washing his old car.” And then, a young girl and her family pile into the shiny car, grown-ups in the front, and kids in the back, and head to Fourth Street.Sundays spent on Fourth Street are magical, family outings that three young cousins eagerly anticipate. Strolling down Fourth Street with their parents, the children encounter a bustling wonderland filled with music, food, and fun. The cousins savor sharp bursts of flavor from mangos on a stick covered with lemon, chili and salt; delight in the sight of folk dancers spinning in the plaza; revel in rides and raffles at the church carnival; and yearn for clothes and toys they see in shop windows. While the children may not get the things that so often catch their attention, they can always look forward to more fun together next Sunday on Fourth Street. Based on real-life visits to Fourth Street in Santa Ana, California, author Amy Costales has written a story that pays homage to a special street and, more importantly, time spent with loved ones. Paired with Elaine Jerome’s colorful illustrations that depict lively street scenes, readers of all ages will enjoy Sundays on Fourth Street.
United States
Materials from United States of America
Uno, Dos, Tres, Posada! Let’s Celebrate Christmas
A posada is an important Latino holiday tradition that happens all over the world on each of the nine nights before Christmas. There’s a lot to do every night before the party can begin, and here a little girl guides us through each step—from putting out poinsettias to hanging the piñata—as she counts to ten in English and Spanish. Young readers can follow along by counting the different items mentioned. An author’s note at the end of the story further explains the origins of the posada. Sprinkled with Spanish vocabulary and filled with lively illustrations, this is a posada no one should miss!
Baseball on Mars/Beisbol en Marte
Roberto’s dad speaks in Spanish when he gets upset, and boy, is he unhappy today! His lucky chair, the one he sits in to watch his beloved New York Yankees play, is missing. And he needs it for the afternoon game against the Red Sox! Roberto is excited, too. He’s about to take off to Mars on his home-made rocket ship, and his dad’s lucky chair makes a perfect pilot’s seat. When his father finds that the missing chair has become part of the rocket ship in the backyard, he grudgingly tells Roberto he can use it, for now. But it needs to be returned before game time. Roberto’s dad is skeptical about the rocket ship. ”You might have a problem getting off the ground” he says. ”You’re forgetting one little thing; you don’t have an engine!” Soon, he finds himself invited along as co-pilot. And during the exciting flight to Mars, Roberto helps his father rediscover his imagination as they experience an amazing blastoff, wayward asteroids, and even weightlessness. When they finally land, Roberto surprises his father with two baseball gloves and a ball. “Today’s baseball game is on Mars,” he tells his dad. After spending the day playing catch, father and son realize that they speak the same language on the Red Planet. And his dad doesn’t even mind that he missed the Yankees’ game! Children ages 4-8 will want to embark on their own mission to Mars after reading this story that combines vibrant illustrations with a touching story about a father and son’s afternoon adventure.
Cesar Chavez: The Farm Workers’ Best Friend (American Heroes)
Profiles the Mexican American labor leader who helped create the United Farm Workers union to protect the rights of migrant agricultural laborers.
Chiles For Benito / Chiles Para Benito
This charming bilingual fable explains the origins of the all-important chile Chiles ristras adorn the kitchen and dishes all over New Mexico. In the winter, when the nights grow longer and the winds blow stronger, chiles season meats and stews bringing New Mexico spice to every hungry taste bud. But chiles didn’t always grow in New Mexico, and Ana Baca tells a special fable about Benito and the chiles that crawled all over his family’s simple homestead. Benito’s mother sends him to the country fair in the hopes of their cow winning the first place prize. This would give them money to buy some seeds for the crop, but the cow misbehaves and they must leave the fair. Suddenly, Benito is stopped by a mysterious man with a peculiar bird on his shoulder. The man offers Benito some powerful seeds in exchange for his cow, which Benito quickly accepts. But when only uncontrollable weeds grow from the ground, Benito begins to feel foolish. The neighboring farmers begin to complain that the relentless weeds are killing their crop. How will the community survive? Will the rapidly growing weeds ever bear fruit for Benito?
Conversations with Contemporary Chicana and Chicano Writers
Hector A. Torres conducted these interviews with today’s popular Chicano/a writers, asking each about language and life between languages, about the creative drive that has guided them in their craft and commits them to their art. In sharing their responses, Torres reveals a brief biography of each author and a concise examination of their writings. Taking their stories and essays individually and collectively, Torres explains how each author reiterates issues that have concerned Mexican Americans since at least 1848. Chicano/a authors know that an abundance of politics can spoil a story, as can too little. The writers included here span historical terrain, first, under the shadow of Manifest Destiny and, then, under the America’s imperial sovereignty stance. Interviewees include Rolando Hinojosa (“I Reflect the Way Valleyites Act and React”), Arturo Islas (“I Don’t Like Labels and Categories”), Erlinda Gonzales-Berry (“On the New Mexican Borderlands”), Gloria Anzaldúa (“The Author Never Existed”), Ana Castillo (two separate interviews), Sandra Cisneros (two separate interviews), Pat Mora (“I Was Always at Home in Language”), Richard Rodriguez (“I Don’t Think I Exist”), Demetria Martinez (“To Speak as Global Citizens”), and Kathleen Alcalá (“To Tell the Counternarratives”).
Estrella’s Quinceañera
For as long as Estrella Alvarez can remember, her mother has been planning to throw her an elaborate quinceañera for her fifteenth birthday — complete with a mariachi band, cheesy decorations, and a hideous dress. Just thinking about her quince makes Estrella cringe. But her mother insists that it’s tradition. Estrella has other things on her mind, anyway — like dating Speedy. Does it matter that her new friends — and her parents — would never approve of aguy from el barrio? Estrella’s almost fifteen and wants to start making her own decisions. But is she ready to find out who she is — and who she really wants to be?


