Skippyjon Jones is a Siamese cat who wants to be a Chihuahua dog, despite his mother’s efforts to make him think “Siamese.”
Materials from the Americas
Skippyjon Jones is a Siamese cat who wants to be a Chihuahua dog, despite his mother’s efforts to make him think “Siamese.”
Juan Carlos is dreaming of a hot, tasty tortilla. But the old tortilla maker in the plaza has sold them all—except for a tiny piece of masa (corn dough) that she gives him with instructions.This tiny piece is magical—it becomes a hat to shade him from the hot sun, a boat to carry him through a flood, and an enormous feather that floats him home. And then it becomes a delicious tortilla for his well-earned supper. Featuring inventive art with Southwestern folk accents, this is a rich and satisfying book about finding magic in ordinary places.
Illustrates the exciting story of the military genius and political seer who led much of Central and South America in their successful fight for freedom from Spain.
Roberto’s dad speaks in Spanish when he gets upset, and boy, is he unhappy today! His lucky chair, the one he sits in to watch his beloved New York Yankees play, is missing. And he needs it for the afternoon game against the Red Sox! Roberto is excited, too. He’s about to take off to Mars on his home-made rocket ship, and his dad’s lucky chair makes a perfect pilot’s seat. When his father finds that the missing chair has become part of the rocket ship in the backyard, he grudgingly tells Roberto he can use it, for now. But it needs to be returned before game time. Roberto’s dad is skeptical about the rocket ship. ”You might have a problem getting off the ground” he says. ”You’re forgetting one little thing; you don’t have an engine!” Soon, he finds himself invited along as co-pilot. And during the exciting flight to Mars, Roberto helps his father rediscover his imagination as they experience an amazing blastoff, wayward asteroids, and even weightlessness. When they finally land, Roberto surprises his father with two baseball gloves and a ball. “Today’s baseball game is on Mars,” he tells his dad. After spending the day playing catch, father and son realize that they speak the same language on the Red Planet. And his dad doesn’t even mind that he missed the Yankees’ game! Children ages 4-8 will want to embark on their own mission to Mars after reading this story that combines vibrant illustrations with a touching story about a father and son’s afternoon adventure.
Following a car accident that left her with epilepsy, twelve-year-old Chula–with a little help from a visiting fearsome Mexican boxer–tries to deal with the repercussions her new condition has on her family, neighborhood, and school.
Jewel is shuttled from one foster home to another. But Jewel wasn’t always a “State Kid.” Her mother Angela’s constant search for happiness through a steady stream of unsavory boyfriends leads to the state’s intervention in Jewel’s life. Listening to her new foster mother’s list of “nos”—no drugs, no lying, no stealing, no skipping school, no boys in or out of the house, no being late—Jewel realizes that her mother said “yes” a lot. Probably too much. She remembers saving Angela’s life when one of many boyfriends beat her, trying to hide another boyfriend’s attempts to rape her when she was fourteen, and being sent to a foster home to please the latest boyfriend. But still, Jewel worries about her mother and knows that she will once again pick up the pieces when the latest jerk leaves. Bit by bit Jewel’s life begins to change for the better after her latest move to a new foster home and school. Although most people can’t see past her tough “State Kid” façade—spray-painted hair, heavy make-up, ripped clothing and unlaced shoes—her English teacher realizes there’s more to her then meets the eye. He convinces Jewel to tutor a fellow student who needs help with math, and gradually she learns how to make friends. In the process, she touches the lives of many people around her, including her social worker, teachers who believe in her, her new-found, tentative friends, and even their parents. But when she’s forced to choose between her life-long job—taking care of her mother”—and doing what’s right for herself, old habits and loyalties are hard to break. Jewel is sure that this time, she can save her mom. But will she be able to save herself?
Fifteen-year-old RD is repeating the eighth grade, planning to have an easy year, but after his grandmother walks out her boyfriend is no longer able to care for him, which leaves RD to fend for himself while avoiding being caught.
For one month each year, the National Hispanic Cultural Center in Albuquerque brings together New Mexico teens for a creative writing program that immerses them in a process of reflection and creativity while encouraging them to explore their identity as people, as a culture, as a region, and as a society. These students unite their varied experiences, backgrounds, and beliefs to form a supportive community of respect through conversation and writing.¿de Veras? (really?) features a collection of poems, essays, and stories written in the Voces program between 2002 and 2006 that represent the diversity of perspectives and individuality of voices of the young creators. These writings reflect the authors’ courage to examine their lives, their neighborhoods, their families, and their cultures. What emerges is their amazingly perceptive, sometimes damning, yet always-honest insights.
Surprising Cecilia is the second novel-following the success of Cecilia’s Year-about a girl whose dreams carry her far beyond the small farm community she lives in. Both novels are set in the rich Hispanic culture of the Rio Grande Valley in the 1930s. Cecilia has worked hard so that she can go to high school. Now it’s September-the school bus is bringing Cecilia to the new adventures, surprises, and responsibilities of growing up. Susan Gonzales Abraham and Denise Gonzales Abraham are the daughters of Cecilia Gonzales Abraham, the hero of the Cecilia books. Cecilia’s Year has been selected as the Best Book for Young Adults in 2004 by the Texas Institute of Letters.