United States

Materials from United States of America

Crazy Loco

Lively, fascinating, and often laugh-out-loud funny, this short story collection provides an intimate glimpse into the life of Mexican American kids in South Texas. From the tale of a boy’s first crush to that of a girl who yearns to see more of the world, from the feud between Texas brothers and their California cousins to the exploits of a reluctant altar boy, from a poignant reminiscence about a family’s maid to a zany tale of a car-crazy dog, this collection is a whirlwind of insight and entertainment. Loosely based on the author’s own Mexican American childhood, Crazy Loco depicts a South Texas full of charm, humor and energy.

Featured in Volume VI, Issue 1 of WOW Review.

Quinito, Day and Night/Quinito, Día y Noche

From dawn till dusk, Quinito’s life is full of opposites. In the morning, he’s up and running – fast or slowly, depending on the day. If it’s sunny, he’s off to the park to swing high and low. If it’s a rainy, stay-at-home day, Quinito’s quiet at naptime and noisy at playtime. So much to do before the sun sets! This playful story builds awareness in young readers that everywhere they look, opposites abound. Told in both English and Spanish, Quinito, Day and Night is a delight for readers young or old, tall or short, messy or neat.

Just a Minute!: A Trickster Tale and Counting Book (Pura Belpre Medal Book Illustrator (Awards))

In this original trickster tale, Senor Calavera arrives unexpectedly at Grandma Beetle’s door. He requests that she leave with him right away. “Just a minute,” Grandma Beetle tells him. She still has one house to sweep, two pots of tea to boil, three pounds of corn to make into tortillas – and that’s just the start! Using both Spanish and English words to tally the party preparations, Grandma Beetle cleverly delays her trip and spends her birthday with a table full of grandchildren and her surprise guest. This spirited tribute to the rich traditions of Mexican culture is the perfect introduction to counting in both English and Spanish. The vivacious illustrations and universal depiction of a family celebration are sure to be adored by young readers everywhere.

Three Little Tamales

While three little tamales cool off on a windowsill, a tortilla rolls by. “You’ll be eaten. You’d better run,” he tells them. And so the tamales jump out the window. The first runs to the prairie and builds a house of sagebrush. The second runs to a cornfield and builds a house of cornstalks. The third runs to the desert and builds a house of cactus. Then who should come along but Senior Lobo, the Big Bad Wolf, with plans to blow their houses down. Valeria Docampo’s oil-and-pencil illustrations add zest and humor to this rollicking southwestern version of a popular tale.

500 Years of Chicana Women’s History/Anos de Historia de las Chicanans

500The history of Mexican Americans spans more than five centuries and varies from region to region across the United States. Yet most of our history books devote at most a chapter to Chicano history, with even less attention to the story of Chicanas. 500 Years of Chicana Women’s History offers a powerful antidote to this omission with a vivid, pictorial account of struggle and survival, resilience and achievement, discrimination and identity. The bilingual text, along with hundreds of photos and other images, ranges from female-centered stories of pre-Columbian Mexico to profiles of contemporary social justice activists, labor leaders, youth organizers, artists, and environmentalists, among others. With a distinguished, seventeen-member advisory board, the book presents a remarkable combination of scholarship and youthful appeal. In the section on jobs held by Mexicanas under U.S. rule in the 1800s, for example, readers learn about flamboyant Doña Tules, who owned a popular gambling saloon in Santa Fe, and Eulalia Arrilla de Pérez, a respected curandera (healer) in the San Diego area. Also covered are the “repatriation” campaigns” of the Midwest during the Depression that deported both adults and children, 75 percent of whom were U.S.-born and knew nothing of Mexico. Other stories include those of the garment, laundry, and cannery worker strikes, told from the perspective of Chicanas on the ground. From the women who fought and died in the Mexican Revolution to those marching with their young children today for immigrant rights, every story draws inspiration. Like the editor’s previous book, 500 Years of Chicano History (still in print after 30 years), this thoroughly enriching view of Chicana women’s history promises to become a classic.

Alamo Wars

alamoJosephine “Miss Mac” McKeever had taught English and Theatre Arts at Rosemont Middle School for so long that her colleagues sometimes joked that she would die in the classroom. So when she does just that, students, teachers, and administrators are stunned. After getting over the initial shock of losing their colleague, the staff agrees that they need to do something very special to acknowledge Miss Mac’s fifty-one years of dedication to the students at Rosemont and suggest naming the school’s auditorium after her. When Mrs. Frymire, her long-time colleague and friend, discovers a play written by Miss Mac years before, she knows that it would be the perfect memorial to present the play, Thirteen Days to Glory: The Battle of the Alamo, in the school’s auditorium named after her friend. But the teachers quickly learn that presenting a play isn’t as easy as Miss Mac had always made it seem, and soon the entire school community is in an uproar as conflicts related to the play emerge. Seventh-grader and Golden Gloves boxer Marco Diaz is, at first, excited to be chosen to play Jim Bowie, the brave Texan who defended the Alamo against Santa Anna’s Mexican Army. But his friend Raquel, an undocumented immigrant, calls him a sell-out because she believes the play makes heroes out of the people who stole her ancestors’ land. And Sandy Martinez, Miss Mac’s much younger replacement, finds the Mexican characters’ dialogue not only politically incorrect but downright offensive. Miss Mac’s friends, though, are adamantly opposed to making changes. Ms. Martinez also tries to convince them that giving certain students plum roles in exchange for their parents’ contributions is wrong, but ends up leaving the production in frustration. Meanwhile, rehearsals only serve to increase the tension between Marco’s friend Izzy Pena and the school bully Billy Ray Cansler. And it’s only a matter of time before Billy Ray corners Izzy when Marco isn’t around to protect him. Weary from struggling with disruptive kids, teachers and kids dropping out of the play, and parents with unreasonable expectations, everyone begins to wonder if they should just give up and cancel the production. Is it too much to expect everyone to work together to pay homage to a long-time friend and teacher?

Angel City

angelOld man Joseph never imagined a family could start this way. When he finds a baby abandoned on a lonely L.A. street, he vows to raise it as his own. He’s an old farmer and knows nothing of parenting, even less about raising a Mexican baby.Yet Joseph keeps his promise and with time he realizes that even in the darkest barrio, there is a world to explore, songs and stories to be shared. Even in the darkest barrio, there is love.

Illustrated by Caldecott-Honor Medal winner Carol Byard and beautifully told by Tony Johnston, Angel City is a moving tribute to the strength of family no matter its form.

Baseball In April And Other Stories

baseballIn this unique collection of short stories, the small events of daily life reveal big themes—love and friendship, youth and growing up, success and failure. Calling on his own experiences of growing up in California’s Central Valley, poet Gary Soto brings to life the joys and pains of young people everywhere. The smart, tough, vulnerable kids in these stories are Latino, but their dreams and desires belong to all of us.

Cesar Chavez (Hispanic Heritage)

cesarTwenty photographs mark an overview of the life and struggle of Cesar Chavez, the union leader who has spent his life trying to improve the lives of migrant farm workers.

Confetti: Poemas Para Ninos/ Poems For Children (Spanish Edition)

In this joyful and spirited collection, award-winning poet Pat Mora and fine artist Enrique O. Sanchez celebrate the vivid landscape of the Southwest and the delightful rapport that children share with the natural world. Through language that resounds with the harmony of both English and Spanish, Confetti is also an anthem to the power of a child’s imagination and pride.