Americas

Materials from the Americas

My Nana’s Remedies/Los Remedios De Mi Nana

A little girl tells how her grandmother makes special teas and warm drinks for her and her little brother when they are not feeling well.

See the review at WOW Review, Volume 3, Issue 2

Quesadilla Moon

As a young migrant worker, David is shocked and thrilled when the man running the field store offers him a loaf of bread in exchange for a song. Singing has been strongly discouraged by David’s father, who views it as a less-than-manly activity. But the opportunity to get food for free is a temptation David can’t resist, and the praise he receives afterwards produces a sense of euphoria he has never felt. Someone is actually paying him to sing! But singing always leads to conflict with his father, and the only time David can do it without getting into trouble is when the others start to harmonize to pass the time as they move up and down the rows, picking cotton, asparagus, or other crops. To help get through the grueling labor, David regularly daydreams about performing in front of an adoring audience. As David and his family move from town to town following the crops, he begins to forget his dream of becoming a singer, until one day when he learns about a local competition. Somehow, his feet carry him to the Four Square Apostolic Church where the contest will take place, but he is shaken when the elderly black ladies setting up for the event tell him it’s only for “colored folk.” When he is ultimately given the chance to participate, he eagerly seizes the opportunity. Is it really possible that his dreams might come true? Will the people who believe in him–a group of African-American women and an ambitious young reporter from the Oakland Tribune–be able to help David overcome the racial, social, and familial barriers he faces?

We Won’t Back Down: Severita Lara’s Rise From Student Leader To Mayor (Hispanic Civil Rights)

An enlightening biography for young adults of a little-known female activist in the Hispanic Civil Rights Movement On December 9, 1969, change was in the air. The small town of Crystal City, Texas would never be the same. After weeks of petitioning for a hearing with the Crystal City school board, students of Crystal City High and their parents descended on the superintendent’s office. The students had been threatened with suspension and even physical violence. Powerful members of the community had insisted they would fire the parents of students if they went in front of the school board, and still, they came. Finally, the school board removed the chairs in the gallery, and the parents and students stood until members of the school board fled to avoid the confrontation. As the students and their parents stood in front of the building, a cry rose from the crowd. “Walk out. Walk out.” So began the Crystal City High student walk out. At the center of the fervor was Severita Lara. Called la cabezuda, or stubborn girl, by her mother, Lara bore the mark of a leader from an early age. She was not afraid to stand up to anyone: girls or boys, teachers or superintendents. She always followed her father’s advice, “If you know it’s right, do it.” José Angel Gutiérrez, the famous civil rights leader, chronicle’s Lara’s ascent from a willful child to the mayor of Crystal City. From her father’s doting support to her mother’s steel-rod discipline, Gutiérrez offers a detailed portrait of the early family life of the woman whose continuing struggle against segregation and discrimination began while she was still a high school student in Crystal City. He also follows her attempts as a single mother to achieve her dream of being a doctor and providing for her sons. This is the story of la cabezuda, Severita Lara, who has made an indelible imprint on American history.

Call Me Henri

Enrique, a young boy in Peralta Middle School, faces abuse at home and danger on the barrio streets. Yet he is driven to succeed by the desire to join that “other America” he sees on TV and in the movies, and is aided in his quest by compassionate teachers. His ambition finds expression in his determination to drop his ESL class in favor of taking French, and his story begins, “Call me Henr.”

Lorraine Lpez (author of Soy la Avon Lady and Other Stories) has created a vivid picture of barrio life, filled with honesty, insight, and humor for young adults. She paints a balanced and detailed landscape of Enrique’s world. Although Enrique is confused and angered by his mother’s refusal to stand up for him against the abuse of his stepfather, he also draws strength from the supportive and loving family of his friend Francisco. While some of his teachers are uncaring or inept, others provide help and encouragement at critical moments in his life.

When Enrique witnesses his friend Horacio gunned down in a drive-by shooting and is seen by the assailants, gang members set out to kill him. As the novel reaches its climax, Enrique must make some agonizing decisions.

Although specifically about barrio life, this novel is universal in its themes-the drive for success, the desire for love and family support, and the need for true friendship. Lpez’s fully delineated characters provide a rich and credible mural of our human comedy.

Lorraine Lpez‘s Soy la Avon Lady and Other Stories was selected for the Marmal Prize, and also won the IPPY Award for Multicultural Fiction.

The Confessional

Mexican guy. White guy. Classmates and enemies from across the border and on each other’s turf. Big fight. White guy wins. Next day, he’s dead. Everyone’s a suspect. Everyone’s guilty of something.

Does what you look like or where you come from finally determine where your loyalties lie? Who’s Us? Who’s Them? Which side is your side? Is it Truth?

Contemporary politics, the consequences of guys-being-guys, and questions about faith and personal responsibility pulse throughout the pages of this provocative, eloquent debut.

Rituals of Survival: A Woman’s Portfolio

A collection of five short stories and a novella which offers valuable portraits of New York City women and the rituals of survival that shape their lives.

The Boys of San Joaquin

Paolo calls Rufus “a Mack truck with no one driving.” Rufus is the O’Neil family dog, and he shows up one morning with part of a twenty-dollar bill in his teeth.Paolo, age twelve, figures that there must be more where that bill came from, and since his cousin Billy needs to repair a bent wheel on his bike, there’s a reason for looking. He, Georgie, and Billy end up in the monsignor’s garden behind the Cathedral of San Joaquin, but it’s not exactly treasure they find, it’s a hand that shoots out of the undergrowth to grab Paolo’s neck. The search for the stash leads the boys — sometimes scared spitless — on many a byway around Orange Grove City, California, in the summer of 1951. And onto the byway of conscience.”Suppose you found a treasure. Couldn’t you keep it?” Paolo asks his uncle. “I mean, say you know who it belongs to, and they probably need it….But when you find it, nobody has it. Isn’t nobody’s property in particular, then,” he reasons. “Well, maybe somebody has it, but it isn’t theirs. It would be yours, wouldn’t it?”No answer. “How in the heck is a guy supposed to be somebody in this world without any money?”

Alphabet City Ballet

balletMarisol has always loved to dance–from the salsa at family parties to the boom boxes on Loisada Avenue. Then she wins a scholarship to ballet school and discovers an inspiring new world of beauty and discipline. When violence erupts in Alphabet City, Marisol’s dream starts to slip away. To keep dancing she must make heartbreaking choices–perhaps impossible ones.