Historical Fiction genre
Tara is forced to move in with her cousins after her house burns down. She faces a difficult adjustment while her mother is away trying to earn money. Interwoven with this story is that of Tara’s ancestors, who in 1859 were convinced by a mysterious stranger to put all their money into searching their property for gold.
A heartbreaking history of prejudice, family ties, and the loss of innocence.When twelve-year-old Titus Sullivan decides to run away to join his Uncle Amos and older brother, Lem, he finds an alien and exciting world in Oil Springs, the first Canadian oil boomtown of the 19th century.The Enniskillen swamp is slick with oil, and it takes enterprising folk to plumb its depths. The adventurers who work there are a tough lot of individuals. In this hard world, Titus becomes friends with a young black boy, the child of slaves who came to Canada on the Underground Railroad. When tragedy strikes in the form of a race riot, Titus’s loyalties are tested as he struggles to deal with the terrible fallout.Though the characters are fictitious, the novel is based on a race riot that occurred in Oil Springs, Ontario, on March 20, 1863. Grease Town is historical fiction at its finest.
In 1965 Newfoundland, thirteen-year-old Jessie’s brave and impulsive nature leads her to commit a variety of daring acts, including rescuing a herd of wild ponies and kidnapping a poor orphan girl who is being mistreated by her guardians. Includes factual information about the history of the Newfoundland pony.
A girl’s imagination transports polio-afflicted kids into a fantastic world.The spring of 1955 tests Laurie Valentine’s gifts as a storyteller. After her friend Dickie contracts polio and finds himself confined to an iron lung, Laurie visits him in the hospital. There she meets Carolyn and Chip, two other kids trapped inside the breathing machines. Laurie’s first impulse is to flee, but Dickie begs her to tell them a story. And so Laurie begins her tale of Collosso, a rampaging giant, and Jimmy, a tiny boy whose destiny is to become a slayer of giants.As Laurie embellishes her tale with gnomes, unicorns, gryphons, and other fanciful creatures, Dickie comes to believe that he is a character in her story. Little by little Carolyn, Chip, and other kids who come to listen, recognize counterparts as well. Laurie’s tale is so powerful that when she’s prevented from continuing it, Dickie, Carolyn, and Chip take turns as narrators. Each helps bring the story of Collosso and Jimmy to an end—changing the lives of those in the polio ward in startling ways.
Life is incredibly hard for all the immigrant families who work in the mine, but harder still for Hannah’s – her father recently killed in the mine, her mother nearly dead from giving birth to the latest child. Hanna defies all convention and passes herself off as a boy to get into the mine that is their only real hope of salvation. Common wisdom is that women are bad luck in a mine, so when her secret is discovered, the superstitious miners are furious. Will she survive this too? Author Diana Vazquez paints a gritty portrait of the bleak mining shanty town and the lives of the people who live there. But it is the indomitable spirit of her unsentimental, blunt, and fearless heroine that will remain memorable to all who encounter her.
Nutaaq and her older sister, Aaluk, are on a great journey, sailing from a small island off the coast of Alaska to the annual trade fair. There, a handsome young Siberian wearing a string of cobalt blue beads watches Aaluk “the way a wolf watches a caribou, never resting.” Soon his actions—and other events more horrible than Nutaaq could ever imagine—threaten to shatter her I~nupiaq world. Seventy years later, Nutaaq’s greatgranddaughter, Blessing, is on her own journey, running from the wreckage of her life in Anchorage to live in a remote Arctic village with a grandmother she barely remembers. In her new home, unfriendly girls whisper in a language she can’t understand, and Blessing feels like an outsider among her own people. Until she finds a cobalt blue bead—Nutaaq’s bead—in her grandmother’s sewing tin. The events this discovery triggers reveal the power of family and heritage to heal, despite seemingly insurmountable odds. Two distinct teenage voices pull readers into the native world of northern Alaska in this beautifully crafted and compelling debut novel.
Weaving history, art and literature, these stories follow a young Inupiat Eskimo boy through a year of his life at the turn of the last century.
Forced to use only people’s English names and not speak to his siblings at school, Shin-chi holds fast to the canoe given to him by his father, hopeful that things will then improve for his family and the tribe he loves.
A bearer of doom, or a bringer of change? As the Aztec empire falls, one girl defies her destiny.In the golden city of Tenochtitlán, the people live in awe of Emperor Montezuma and in fear of blood-hungry gods. Under an ill-fated sky, a girl is born, facing a life of submission and domestic drudgery. But Itacate has a secret passion for goldwork, forbidden to women, and is forced to disguise her identity to protect herself and her family. When her city is shaken by Cortez’s invasion, Itacate challenges fate, culture, and faith by crafting golden statues — and pursuing the love of a man who should be her enemy. From the author of I AM APACHE comes a tale of clashing cultures, a rich and powerful depiction of Aztec life during the Spanish conquest of Mexico.
Through nine intimate first-person narratives, Out of War tells the story of the Children’s Movement for Peace, a network of organizations struggling against the forty-year civil war in Colombia. Readers will meet young people like Juan Elias, who decided he could best avenge his father’s murder by fighting to end the war; Maritza, who found refuge in the peace movement after her family and friends abandoned her in the communas of Medellin; and Beto, who works for the peace he never had in his abusive home. The voices of these children are raw and real, and their stories are nothing short of inspirational. In 1996, the Children’s Movement for Peace helped organize the Children’s Mandate, a referendum on children’s rights in Colombia. Two million children turned out to vote for their right to peace, sending the Colombian government a powerful message about its inability to control the violence within its borders. Since then, the Movement has worked to help children cope with loss, displacement, poverty, and other effects of the war. It has also taught children how to resolve conflict without fighting. The movement’s work is impressive, yet Out of War is really about the individual children who lead the group. Through them, readers will learn not only about the tenuous life of children in Colombia, but about what it means to give back to your community and face adversity with true courage and hope.